Painter essential 66/28/2023 In no other picture by the great master of Delft do we find such sentiment, such a profound understanding of the Bible story-a sentiment so nobly human expressed through the medium of highest art." quite different from all his other paintings and yet every inch a Vermeer. nor the pointillés on the bread which Christ is blessing, are necessary to convince us that we have here-I am inclined to say- the masterpiece of Johannes Vermeer of Delft. And what a picture! Neither the beautiful signature. Shortly after having viewed the painting, the 83-year old art historian wrote an article in the Burlington Magazine, the "art bible" of the times, in which he stated, "It is a wonderful moment in the life of a lover of art when he finds himself suddenly confronted with a hitherto unknown painting by a great master, untouched, on the original canvas, and without any restoration, just as it left the painter's studio. In 1937, Abraham Bredius, who as one of the most authoritative art historians had dedicated a great part of his life to the study of Vermeer, was approached by a lawyer who claimed to be the trustee of a Dutch family estate in order to have him look at a rather large painting of a Christ and the Disciples at Emmaus (fig. Van Meegeren's story is absolutely unique and may be justly considered the most dramatic art scam of the twentieth century. An exception is Han van Meegeren (1889–1947). Erroneous Vermeer attributions and forgeries - 2įorgers, by nature, prefer anonymity and therefore are rarely remembered.Erroneous Vermeer attributions and forgeries - 1.
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